My weapon of choice is the RED KOMODO. One of RED’s latest cinema camera’s. It combines RED’s unmatched image quality, cinema standard R3D codec and industry standard formats all in a small form factor allowing camera rigs to be minimal for small shoots, or built up into full studio rigs for larger shoots.

Available for hire @ $350/day. Body only.

$450/day including Tilta Cage, 15mm rod mount, & top handle. (Handheld package)

A perfect workhorse lens for the super 35 KOMODO. FF Equivalent to a 30-85, this lens allows you to get beautiful shots in any environment. Comes with interchangeable PL mount or EF mount (shimming required). All housed in a cinema-housing with 0.8mod gears and buttery smooth action.

Available for hire @ $150/day.

Vintage lenses have been a passion of mine for a while now. As the saying goes, they just don’t make them like they used to. Vintage lenses allow you to produce more visually interesting images over their modern counterparts due to they’re “imperfect“ nature. Their flares, bokeh and colour rendering are much more pronounced and pleasing to the eye. This canon FD set is no different and I have collected great examples over the years. All are cine-modded with focus gears and 77mm step up rings allowing for ease when rigging.

24mm f/2.8 S.S.C

35mm f/2 Chrome Nose

50mm f/1.4 S.S.C

85mm f/1.8 S.S.C

80-200mm f/4 S.S.C

Available for hire @ $200/day.

A wireless tx/rx combo built into a handheld directors monitor cage allowing for wireless transmission up to 500ft. The kit utilises a Vaxis Atom 500 SDI combo allowing for either SDI/HDMI inputs so you aren’t limited by the cameras you can use it on. With a latency of 80ms it is perfect for focus pulling. Monitor features a 2200nit 1920x1080 panel, the Feelworld LUT7. Perfect for daylight monitoring. For use with V-lock batteries.

Available for hire @ $150/day.